Eric Sutphin

At first glance, "Shadows on the Wall," Meredith James's exhibition at Jack Hanley, looked like a sparse arrangement of nondescript midcentury furnishings: an armchair, desk, office chair, medicine…

While studying under photographer Garry Winogrand at the Cooper Union in New York in the early 1970s, Mitch Epstein trained his eye to catch moments of beauty tinged with foreboding.

Blum & Poe's recent exhibition of March Avery's work brought together landscapes, domestic scenes, still lifes, and portraits that she made over the course of nearly six decades.

The impact of Susan Jane Walp's still lifes defies their diminutive scale. In her paintings she portrays domestic objects, patterned fabrics, and luscious fruit in rigorously balanced compositions…

While first-wave feminist artists were experimenting with video, installation, and other new media, Joan Semmel—along with Sylvia Sleigh, Betty Tompkins, and a few others—stuck to…

Whether the theme is love, war, or death, myths have provided artists a rich source of visual and conceptual material for millennia.

Though sedate in atmosphere, the paintings in Greg Burak's exhibition (all 2018) trembled with expectant energy.

Kuldeep Singh often begins with a piece of traditional Indian poetry or music, then extracts and stitches together passages to create new meanings.

Melissa Brown's recent paintings at Derek Eller amounted to something like a storyboard for a twenty-first-century American epic.

Matthew Wong can be considered a kind of nouveau Nabi, a descendant of Post-Impressionist painters like Édouard Vuillard and Paul Sérusier. .